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Sirvi Autor "Grišakova, Marina, juhendaja" järgi

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    listelement.badge.dso-type Kirje , listelement.badge.access-status Avatud juurdepääs ,
    Hotel Viru as a monument: social space and memory
    (Tartu Ülikool, 2014) Balázs, Anna; Grišakova, Marina, juhendaja; Tartu Ülikool. Sotsiaal- ja haridusteaduskond; Tartu Ülikool. Riigiteaduste instituut
    Hotel Viru has been a significant site of the Tallinn urban landscape since its construction: it represented the essence of Estonia for the Finnish and other tourists arriving to the country, and it served as an enclave of Western lifestyle in the middle of Soviet-time Tallinn, subsisting in the Cold War political isolation since the end of the Second World War. The post-Soviet transition brought profound changes in the functioning of the hotel, but did not lower its significance: Hotel Viru occupies an important position in the collective memory of more than one community, and the establishment of KGB museum in the building reinforced this status on a new level. The present research investigates interconnections of memory and history in the space of Hotel Viru by applying the theory of Henri Lefebvre on social space. The term social space refers to the sum of social relations projected into physical space, providing a tool for the analysis of social phenomena by investigating particular spatial settings. As the concept of social space implies a heterogeneous and multilayered character of space, the research explores Hotel Viru on the three levels as spatial practices, representations of space and representational spaces. Investigation of spatial practices reveals how the physical space of Hotel Viru is transformed by human activity, and how social relations and spatial practices are being mutually shaped by each other. Representations of space help to understand how abstract conceptualizations of Hotel Viru reflect ideological positions within the society, and how do they influence the formulation of physical space. The study of representational spaces identifies the symbolic contents attached to the space of Hotel Viru, discovering the process in which they constitute the building as an object of memory. The findings conclude that Hotel Viru is a monument that transforms subjective memories of the individual into collective memory, and mediates between abstract historical processes and particular memories arising from individual experience.
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    listelement.badge.dso-type Kirje , listelement.badge.access-status Avatud juurdepääs ,
    Prantsuse strukturalismi ja poststrukturalismi retseptsioon eesti esseistikas ja kriitikas
    (Tartu Ülikool, 2011) Vilks, Elo; Grišakova, Marina, juhendaja; Tartu Ülikool. Kultuuriteaduste ja kunstide instituut; Tartu Ülikool. Filosoofiateaduskond
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    listelement.badge.dso-type Kirje , listelement.badge.access-status Avatud juurdepääs ,
    Promises of paradise: critiques of consumerism in Vladimir Nabokov's Lolita, Martin Amis's Money: a suicide note and Michel Houellebecq's Atomised
    (Tartu Ülikool, 2014) Lavey, Nicola Ophelia; Grišakova, Marina, juhendaja; Tartu Ülikool. Sotsiaal- ja haridusteaduskond; Tartu Ülikool. Riigiteaduste instituut
    The aim of this master's thesis is to examine the critical presentation of late twentieth- century consumerism as 'deception' in Vladimir Nabokov's Lolita, Martin Amis's Money: A Suicide Note and Michel Houellebecq's Atomised. This study has two primary goals: (1) To outline how these texts provide critical perspectives on the way signs and language are used to stimulate consumer desire (2) To demonstrate how these authors undermine the consumerist ideals of the selfsufficient maximisation of pleasure through the immediate gratification of wants and desires. In the first section, the main characteristics of 'consumerism' are discussed, drawing primarily on Zygmunt Bauman and Colin Campbell's theories of consumerism as a social system of values prioritising the individual maximisation of pleasure. These social theories are combined with the semiotic methods of Roland Barthes and Jean Baudrillard to show how traditional religious, mythological and cultural signifiers are used to stimulate consumer desire. The following chapters are devoted to the analysis of the novels. First, the author's presentation of the seductive language used in consumerist discourse is analysed, highlighting the type of narrative voice and literary devices used to criticise it. Secondly, attention is drawn to how the authors use the metaphor of an earthly utopia or paradise to highlight the protagonists' fascination with the promises of unadulterated pleasure suggested in consumerist discourses, such as the mass media, Hollywood films and advertising. Special focus is given to the authors' use of metaphors evoking the paradisal conditions of eternal youth, oneness with others and the purification of personal shame, as intrinsic features of prelapsarian joy. It is highlighted how the protagonists in the novels think they can acquire this bliss through consumption. Thirdly, this study explores how these authors use subject matter and formal techniques to undermine the consumerist ideal, as formulated by Campbell and Bauman, of man as a self-sufficient individual autonomously creating his desires. It may be concluded that fictional texts provide an elucidating perspective on consumerist culture, as they enable both empathic and critical attitudes towards the states-of-affairs portrayed in the work. As consumerism is largely a symbolic and linguistic phenomenon, they demonstrate how aesthetic language can be used to undermine the seductive words and promises of consumerist discourse through the use of satire and parody.
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    listelement.badge.dso-type Kirje , listelement.badge.access-status Avatud juurdepääs ,
    Spordiromaan kui ilukirjanduslik žanr
    (Tartu Ülikool, 2015) Kiris, Artur; Grišakova, Marina, juhendaja; Tartu Ülikool. Kultuuriteaduste ja kunstide instituut; Tartu Ülikool. Filosoofiateaduskond
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    listelement.badge.dso-type Kirje , listelement.badge.access-status Avatud juurdepääs ,
    Taevase ja maise armastuse motiivid Karl Ristikivi Hingede öös ja ajaloolises sarjas
    (Tartu Ülikool, 2018) Keedus, Krista; Grišakova, Marina, juhendaja; Lepik, Eva, kaasjuhendaja; Tartu Ülikool. Kirjanduse ja teatriteaduse osakond; Tartu Ülikool. Humanitaarteaduste ja kunstide valdkond
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    listelement.badge.dso-type Kirje , listelement.badge.access-status Avatud juurdepääs ,
    The role of structure of accentuation in memorizing of narrative texts
    (Tartu Ülikool, 2013) Sobchuk, Oleg; Torop, Peeter, juhendaja; Grišakova, Marina, juhendaja; Tartu Ülikool. Filosoofiateaduskond; Tartu Ülikool. Filosoofia ja semiootika instituut

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