Proceedings of the 2nd Huminfra Conference

Selle kollektsiooni püsiv URIhttps://hdl.handle.net/10062/118290

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Sirvi Proceedings of the 2nd Huminfra Conference Märksõna "digital humanities" järgi

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  • Pisipilt
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    Beyond Big Tech: Alternative Digital Platforms for Collaborative and Participatory Art Historical Research
    (Tartu University Library, 2025) Fox, Elizabeth; Nermo, Magnus; Papadopoulou Skarp, Frantzeska; Tienken, Susanne; Widholm, Andreas; Blåder, Anna
    The selection of digital collaboration platforms impacts research participation in international digital humanities projects. This study emerged from practical challenges during the “Ted Stamm: Tags” project, a multi-institutional art historical research initiative transcribing 63 sketchbooks (1973–81) with 675 documented participant contributions. Initial reliance on Google Sheets was discontinued due to ethical concerns regarding policy changes, while the subsequent transition to Microsoft Excel created barriers for external collaborators across different institutional frameworks. This paper investigates alternative collaborative platforms that meet European standards for data sovereignty while supporting multi-institutional research collaboration. The research question asks: What European alternative platforms exist that provide institutional compatibility and GDPR compliance without sacrificing collaborative functionality? Through a case study methodology grounded in Tags transcription project, this paper proposes an evaluation structure and planned comparative assessment of three European platforms: kSuite, LibreOffice, and Proton Drive.
  • Pisipilt
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    Mapping Soundscapes of Warning: Experimental Interfaces for Public Sound Culture
    (Tartu University Library, 2025) Malmstedt, Johan; Mitsurov, Kirill; Cronqvist, Marie; Nermo, Magnus; Papadopoulou Skarp, Frantzeska; Tienken, Susanne; Widholm, Andreas; Blåder, Anna
    This short paper introduces Soundscapes of Warning, an experimental research application designed to support the comparative study of public warning signals as cultural and aesthetic artefacts. Developed through a collaboration between Linköping University and the C2DH at the University of Luxembourg, the platform enables users to explore how alarm sounds -– sirens and civil alert signals – vary across national and historical contexts. By combining geographic comparison with custom-designed 3D visualizations of alarm signals, the application offers a new model for investigating how warnings, urgency, and authority have been rendered sonically in different societies. Instead of approaching warning sounds as purely functional or technical signals, the platform emphasizes their role in shaping public space, perception, and memory. Designed as both a research tool and an interpretive interface, Soundscapes of Warning contributes to current efforts in the digital humanities to critically engage with sound as a mediated and historically contingent form.