Sirvi Märksõna "cultural diplomacy" järgi

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The Global Mobilities of Russian Museums: The State Russian Museum Goes to Málaga
(University of Tartu Press, 2017) Bethwaite, Julia
Museums are establishing foreign branches and satellite museums abroad, illustrating a growing trend among both public and private museums. Guggenheim, Louvre, Centre Pompidou, The State Hermitage Museum and Victoria and Albert Museum are a few of the cultural institutions that have presence abroad in the form of physical exhibition sites. In addition to creating permanent venues in foreign countries, many museums also cooperate internationally through temporary circulating exhibitions that engage expert exchanges and diplomatic relations. This article frames the discussion about the role of art museums as practitioners and actors of international cultural diplomacy and cultural relations. It delves into the interplay between the state actors and non-state actors that are involved in the museums’ trajectories, further extending the understanding of constituent and influential actors in international relations. In particular, the focus is on the State Russian Museum’s first foreign branch that was opened in Málaga, Spain in March 2015. First, the paper identifies the key actors, who contributed to the project, paying attention to both the state actors and non-state actors. Second, the paper reviews the purpose of establishing the museum in Málaga in the context of the interests of each of the selected actors. The paper concludes with a brief discussion on how the analysis of foreign branches and satellite museums could be deepened and what methodological instruments would be beneficial for further research.
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The impact of China’s soft power: the role of the Confucius Institute in Estonia
(Tartu Ülikool, 2025) Nasadiuk, Serhii; Solovyeva, Alevtina, juhendaja; Bhutia, Kikee Doma, juhendaja; Tšernjuk, Mart, juhendaja; Tartu Ülikool. Majandusteaduskond; Tartu Ülikool. Sotsiaalteaduste valdkond
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The Sword and the Violin: Aesthetics of Russia’s Security Policy
(2017) Makarychev, Andrey
The article addresses the sphere of performing arts as part of Russia’s security policy and, in particular, its propaganda dimensions. The authors approach cultural representations as appeals to universal norms rather than to national interests and in this respect focus on two specific cases of aestheticization of military force applied beyond the national borders of the Russian Federation — in Georgia in August 2008 and in Syria since September 2015. These cases are comparable with each other, since the external projections of Russia’s hard power were accompanied by similar cultural gestures — namely, public concerts of classical music performed by the world-famous Valery Gergiev’s Mariinsky Theater in two sites controlled by Russian troops, Tskhinvali and Palmyra. The article argues that the Russian government uses two strategies of aestheticizing its military missions — mimetic (implying the closest possible correspondence to reality) and aesthetic (based on imageries), though the distinction between the two is not always well fixed.