Sergei Eisenstein’s revolutionary trilogy through the perspective of Semiotic Studies: intertextual and intermedial aspects

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dc.contributor.advisorTorop, Peeter
dc.contributor.authorKhomutova, Ekaterina
dc.contributor.otherTartu Ülikool. Humanitaarteaduste ja kunstide valdkondet
dc.contributor.otherTartu Ülikool. Filosoofia ja semiootika instituutet
dc.date.accessioned2023-11-18T23:14:48Z
dc.date.available2023-11-18T23:14:48Z
dc.date.issued2023
dc.identifier.urihttps://hdl.handle.net/10062/94330
dc.language.isoenget
dc.publisherTartu Ülikoolet
dc.rightsopenAccessen
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectEisenstein, Sergei
dc.subjectsemiotics of filmen
dc.subjectintertextualityen
dc.subjectintermedialityen
dc.subject.othermagistritöödet
dc.titleSergei Eisenstein’s revolutionary trilogy through the perspective of Semiotic Studies: intertextual and intermedial aspectsen
dc.typeThesisen

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Semiootika osakonna magistritööd – Master's theses