Set of audio examples for the dissertation "Practice Beyond Boundaries: Enhancing Musicianship through Historical Clarinet Affordances" by Vittoria Ecclesia
| dc.contributor.author | Ecclesia, Vittoria | |
| dc.contributor.author | Guarini y Solà, Giulia | |
| dc.contributor.author | Lappalainen, Hilla | |
| dc.contributor.author | Plink, Kristian | |
| dc.contributor.editor | Pappel, Kristel, peatoimetaja | |
| dc.date.accessioned | 2026-01-29T11:58:35Z | |
| dc.date.available | 2026-01-29T11:58:35Z | |
| dc.date.issued | 2026 | |
| dc.description | Example 1a: Iwan Müller, Quartet no. 1, I movement, bars 54–56. Played on modern clarinet by Vittoria Ecclesia. Examble 1b: Iwan Müller, Quartet no. 1, I movement, bars 54–56. Played on historical clarinet by Vittoria Ecclesia. Example 2a: example of throat register played by Vittoria Ecclesia on modern clarinet. Example 2b: example of throat register played by Vittoria Ecclesia on historical clarinet. Example 3a: Bernhard Henrik Crusell, Clarinet Concerto no. 2, I movement, bars 74–78, played by Vittoria Ecclesia on modern clarinet. Example 3b: Bernhard Henrik Crusell, Clarinet Concerto no. 2, I movement, bars 74–78, played by Vittoria Ecclesia on historical clarinet. Example 4a: Bernhard Henrik Crusell, Clarinet Concerto no. 2, I movement, bars 200–202, played by Vittoria Ecclesia on modern clarinet. Example 4b: Bernhard Henrik Crusell, Clarinet Concerto no. 2, I movement, bars 200–202, played by Vittoria Ecclesia on historical clarinet. Example 5a: Ludwig van Beethoven, Symphony no. 8, III movement, Trio. Played by Vittoria Ecclesia on modern clarinet. Example 5b: Ludwig van Beethoven, Symphony no. 8, III movement, excerpts of the Trio. Played by Vittoria Ecclesia on historical clarinet. Example 6a: Ludwig van Beethoven, Symphony no. 4, II movement, adagio (orchestral excerpt). Played by Vittoria Ecclesia on modern clarinet. Example 6b: Ludwig van Beethoven, Symphony no. 4, II movement, adagio (orchestral excerpt). Played by Vittoria Ecclesia on historical clarinet. Example 7a: Giuseppe Verdi, La Traviata, II act (orchestral excerpt). Played by Vittoria Ecclesia on modern clarinet. Example 7b: Giuseppe Verdi, La Traviata, II act (orchestral excerpt). Played by Vittoria Ecclesia on historical clarinet. Example 8a: Francis Poulenc, Clarinet Sonata, bars 70–75. Played by Vittoria Ecclesia on modern clarinet. Example 8b: Francis Poulenc, Clarinet Sonata, bars 70–75. Played by Vittoria Ecclesia on historical clarinet. Example 9a: Wolfgang Amadus Mozart, Clarinet Concerto K622, I movement, bars 129–137. Played by Vittoria Ecclesia on modern clarinet. Example 10: Bonnie S. K. Yung, No/Where Now/Here, bars 1–6. Vittoria Ecclesia, historical clarinet. Giulia Guarini y Solà, violin. Hilla Lappalainen, viola. Kristian Plink, cello. Example 11: Fabrizio Nastari, Elogio dell’Errore. Modern instrument’s thematic material bar 3 (above); period instrument’s thematic material bars 119–121 (below). Vittoria Ecclesia, historical and modern clarinets. Example 12: Fabrizio Nastari, Elogio dell’Errore, bars 137–143. Vittoria Ecclesia, historical clarinet. | |
| dc.identifier.uri | https://doi.org/10.58162/92ZG-6P11 | |
| dc.identifier.uri | https://hdl.handle.net/10062/118726 | |
| dc.publisher | Estonian Academy of Music and Theatre | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| dc.title | Set of audio examples for the dissertation "Practice Beyond Boundaries: Enhancing Musicianship through Historical Clarinet Affordances" by Vittoria Ecclesia | |
| dc.type | Recording, musical |
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