Functions and Techniques of Critique in Contemporary Estonian Theatre

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dc.contributor.authorLinder, Eva-Liisa
dc.date.accessioned2024-04-02T06:30:43Z
dc.date.available2024-04-02T06:30:43Z
dc.date.issued2018
dc.description.abstractThis article examines the techniques of scenic criticism in contemporary Estonian theatre. The examples vary in scale and style from the huge political show Unified Estonia by Theatre NO99 (2010) with 7500 participants, which investigated the crisis of democracy in a posttotalitarian country, to the self-ironic search for identity of the small ethnic community called Setos in How to Sell a Seto? (2012). This theatrical piece tackled tragic autobiographical choices of young Setos: old traditions versus contemporary trends, village versus city, building or selling their symbolic capital.
dc.identifier.urihttps://hdl.handle.net/10062/97461
dc.identifier.urihttps://doi.org/10.58162/pnft-s840
dc.language.isoen
dc.publisherNarr Verlag
dc.relation.ispartofForum Modernes Theater. Vol 29; Special Issue: Theatre as Critique
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Estoniaen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ee/
dc.titleFunctions and Techniques of Critique in Contemporary Estonian Theatre
dc.typeArticle

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