Tacit Texts: Considerations on Pärt’s Settings of the Word

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dc.contributor.authorBouteneff, Peter
dc.contributor.otherSiitan, Toomas, koostaja
dc.contributor.otherArvo Pärdi Keskus
dc.contributor.otherKõrver, Kristina
dc.date.accessioned2024-01-30T12:24:28Z
dc.date.available2024-01-30T12:24:28Z
dc.date.issued2022
dc.description.abstractAs Arvo Pärt scholarship continues to deepen, considerable attention has been paid to the role of the text in Pärt’s compositions. Most of his tintinnabuli works are textual settings, and there are enough quotations from the composer to indicate that the texts are extremely important to him and his work. This essay investigates the compositions in which the text shapes the music but is not sung, and poses questions about why the composer chooses to leave certain texts unheard, how this music is received, and whether or not the text can be said to play a role in that reception.en
dc.description.sponsorshipEuropean Regional Development Funden
dc.description.sponsorshipCenter of Excellence for Estonian Studiesen
dc.description.sponsorshipRepublic of Estonia, Ministry of Cultureen
dc.description.sponsorshipEesti Vabariik, Kultuuriministeeriumet
dc.identifier.issn2382-8080
dc.identifier.urihttps://doi.org/10.58162/8K53-WS26
dc.identifier.urihttps://hdl.handle.net/10062/95083
dc.language.isoen
dc.publisherEesti Muusika- ja Teatriakadeemia
dc.publisherEesti Muusikateaduse Selts
dc.relation.ispartofRes Musica : Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja Teatriakadeemia muusikateaduslik aastaraamat
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Estoniaen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ee/
dc.titleTacit Texts: Considerations on Pärt’s Settings of the Worden
dc.title.alternativeVaikivad tekstid: tähelepanekuid Pärdi teoste sõnakäsitluse kohtaet
dc.typeArticleen

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Res Musica 14 (2022)