Perilous Listening. Early Music, Historically Informed Listening, and the Sacrosphere of Spaces

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dc.contributor.authorWaczkat, Andreas
dc.contributor.otherKõlar, Anu, koostaja
dc.date.accessioned2024-04-01T08:07:09Z
dc.date.available2024-04-01T08:07:09Z
dc.date.issued2019
dc.descriptionSummary available in Estonian (pp. 97-98)
dc.descriptionOlemas kokkuvõte eesti keeles (lk 97-98)et
dc.description.abstractThis essay deals with a musical performance at the 20th Haapsalu Early Music Festival in 2013, when the viol ensemble Phantasm played a concert entitled “Perilous Polyphony” consisting of works by William Byrd, Elway Bevin, and other composers of Elizabethan Britain. After a cursory overview of Haapsalu’s characteristics, the programme and the programme notes of the concert in question are discussed with regard to potential perils in the music as they can be observed in some contrapuntal details of the compositions. While the Early Music Festival is centred on concerts that feature period instruments and historically informed performance practice, it is questionable whether the audience, even if historically informed itself, is able to perceive the music’s perils as the audience in Elizabethan Britain did. But since the very performance situation is entirely different, the heading “Perilous Polyphony” turns out to rather be an atmospheric label.
dc.description.sponsorshipEuropean Regional Development Funden
dc.description.sponsorshipCenter of Excellence for Estonian Studiesen
dc.description.sponsorshipRepublic of Estonia, Ministry of Cultureen
dc.description.sponsorshipEesti Vabariik, Kultuuriministeeriumet
dc.identifier.issn2382-8080
dc.identifier.urihttps://doi.org/10.58162/YRJF-HY61
dc.identifier.urihttps://hdl.handle.net/10062/97446
dc.language.isoen
dc.publisherEesti Muusika- ja Teatriakadeemia
dc.publisherEesti Muusikateaduse Selts
dc.relation.ispartofRes Musica : Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja Teatriakadeemia muusikateaduslik aastaraamat
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Estoniaen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ee/
dc.titlePerilous Listening. Early Music, Historically Informed Listening, and the Sacrosphere of Spaces
dc.title.alternativeKaelamurdev kuulamine. Varane muusika, ajastuteadlik kuulamine ja konstrueeritud sakraalruum
dc.typeArticle

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Res Musica 11 (2019)