Partiture: Koostöövõimeline noodipuldirakendus mobiilsetele seadmetele
Date
2014
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Abstract
Peaaegu kõik saavutused tänapäeval taanduvad meeskonnatööle ja ühistegevusele. Erandiks ei ole ka muusika loomine ja esitamine. Heliloojad, luuletajad, seadete autorid, interpreedid, kollektiivid, dirigendid, koormeistrid, muusikaõpetajad – kõigi panused lõikuvad mingil tasandil teiste panustega. Leidub palju programme ja tööriistu, mis näiteks abistavad heliloojaid komponeerimisel, seadjaid seade loomisel, õpilasi mingi instrumendi õppimisel, jne. Siiski on reaalajas muusika-alast kaastööd võimaldavate vahendite hulk praktiliselt olematu. Dirigendid, muusikaõpetajad jätkuvalt edastavad kontekstiga seotud märkusi oma juhendatavatele suuliselt, mis tihtipeale põhjustab arusaamatusi ja informatsiooni kadu. Käesoleva töö eesmärgiks on välja töötada omavahel ühenduses olevate koostöövõimeliste noodipultide kontseptsioon, mis võiks muuta muusikute omavahelist suhtlemist tõhusamaks jagatud noodilehe keeramiste, märkuste kui ka tagasivõtu kohtade määramisel kiirelt ja üheseltmõistetavalt, kasutades selleks spetsiaalseid lokaalselt ülesseatud ajutisi traadita võrke. Tegemist on vastava tarkvarasüsteemi (Partiture) arendamise esimese etapiga.
Almost every accomplishment can be retreated as an effort of teamwork and collaboration today – so can be creating and performing music. Composers, lyricists, arrangers, inter-preters, collectives, conductors, choirmasters, music teachers and students – all their con-tribution intersects at some level. There are many tools and programs available, which assist for example composers in creating the artwork, arrangers in modifying it for con-crete collective types, students in learning to play some instruments, etc. However, the circle of real-time collaboration supporting means is practically non-existent. Conductors, music teachers still do communicate all the context related notices to their mentees ver-bally, which often causes misunderstandings and information loss. This thesis presents the concept for interconnected interoperable music stand applications, which can enhance the cooperation between the musicians in the form of sharing page turns during performing, creating/sharing remarks and comments during practice sessions as well as locating retake positions fast and unambiguously, working over the air using ad-hoc based temporary networks. It is the introduction into the first phase of developing the corresponding soft-ware system (Partiture).
Almost every accomplishment can be retreated as an effort of teamwork and collaboration today – so can be creating and performing music. Composers, lyricists, arrangers, inter-preters, collectives, conductors, choirmasters, music teachers and students – all their con-tribution intersects at some level. There are many tools and programs available, which assist for example composers in creating the artwork, arrangers in modifying it for con-crete collective types, students in learning to play some instruments, etc. However, the circle of real-time collaboration supporting means is practically non-existent. Conductors, music teachers still do communicate all the context related notices to their mentees ver-bally, which often causes misunderstandings and information loss. This thesis presents the concept for interconnected interoperable music stand applications, which can enhance the cooperation between the musicians in the form of sharing page turns during performing, creating/sharing remarks and comments during practice sessions as well as locating retake positions fast and unambiguously, working over the air using ad-hoc based temporary networks. It is the introduction into the first phase of developing the corresponding soft-ware system (Partiture).