Русская тема в сборнике Марины Цветаевой «Версты. Стихи. Выпуск I» (1922 г.)
Kuupäev
2014-05-26
Autorid
Ajakirja pealkiri
Ajakirja ISSN
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Kirjastaja
Abstrakt
Väitekiri on pühendatud Marina Tsvetajeva raamatule „Verstad I”, mille autor on teinud katse luua individuaalne „Venemaa” kuvand. Tsvetajeva on üks juhtivaid 20. saj poeete, kelle loomingul on tihe seos prantsuse- ja saksa kultuuridega.
Uurides Tsvetajeva luulelomingu seoseid maailmakultuuriga (skandinaavia kultuurist hiina kultuurini) on uurijad vahele jätnud Tsvetajeva autorefleksiooni perioodi — tema isikliku rahvusliku identiteedi ja „Venemaa leiutamise” protsessi käsitluse tema loomingus. Eraldi on töös analüüsitud järgmiseid sfääre: rahvaluule stilisatsioone, ajaloolisi süžeesid, religioosseid motiive, poliitilisi vastukajasid. Antud töö on üks esimesi, mis käsitleb kõiki nimetatud aspekte üldises — „vene teema” raamistikus.
Järgides Tartu struktuur-semiootilise tekstianalüüsi metodoloogiat, näitas väitekirja autor, kuidas Tsvetajeva autorikontseptsioon on peegeldunud 1922. a raamatu erinevatel struktuursetel tasanditel, ja seda just Tsvetajeva emigratsiooni eel Euroopasse (Saksamaale, Tšehhimaale, Prantsusmaale).
Marina Tsvetaeva is one of the most distinguished poets of the 20th century European literature. The dissertation focusses on the book «Milestones. I» (1922) by Tsvetaeva. This collection of verses was an experiment taken in order to elaborate an individual image of „tsvetaevian Russia“. It is worth mentioning that the book was published in 1922, on the eve of her emigration to the Western Europe. She lived in Germany, Czechoslovakia, and France. Having studied the intense dialogue of Tsvetaeva’s poetry with different cultures (from Scandinavian to Chinese), the researches paid almost no attention to the period of Tsvetaeva’s reflection over her own national identity and the process of “invention of Russia” in her poetical works. Such realms, as folk stylization, historical narratives, political and religious motifs in the poet’s works, were studied separately. The present study is apparently the first research that combines all the mentioned aspects in the framework of studying the “Russian theme” on the basis of one of Tsvetaeva’s books. In the thesis the tradition of Tartu structural and semiotic school of text analysis is followed carefully. The study shows the representation of Tsvetaeva’s image of Russia in the different aspects of the structure of a poetical book.
Marina Tsvetaeva is one of the most distinguished poets of the 20th century European literature. The dissertation focusses on the book «Milestones. I» (1922) by Tsvetaeva. This collection of verses was an experiment taken in order to elaborate an individual image of „tsvetaevian Russia“. It is worth mentioning that the book was published in 1922, on the eve of her emigration to the Western Europe. She lived in Germany, Czechoslovakia, and France. Having studied the intense dialogue of Tsvetaeva’s poetry with different cultures (from Scandinavian to Chinese), the researches paid almost no attention to the period of Tsvetaeva’s reflection over her own national identity and the process of “invention of Russia” in her poetical works. Such realms, as folk stylization, historical narratives, political and religious motifs in the poet’s works, were studied separately. The present study is apparently the first research that combines all the mentioned aspects in the framework of studying the “Russian theme” on the basis of one of Tsvetaeva’s books. In the thesis the tradition of Tartu structural and semiotic school of text analysis is followed carefully. The study shows the representation of Tsvetaeva’s image of Russia in the different aspects of the structure of a poetical book.
Kirjeldus
Märksõnad
luule, luuletajad, vene, 20. saj. 1. pool, kirjanduskriitika, teemad, motiivid, poetry, poets, Russian, first half of the 20th century, literary criticism, themes, motifs