Friedrich Hölderlini sotsiaalmetafüüsiline filosoofia tema teoreetilistes fragmentides
Laen...
Kuupäev
Autorid
Ajakirja pealkiri
Ajakirja ISSN
Köite pealkiri
Kirjastaja
Tartu Ülikool
Abstrakt
Käesolev uurimus analüüsib Friedrich Hölderlini sotsiaalmetafüüsilist filosoofiat tema teoreetilistes fragmentides ja keskendub fragmendile „Vaimude kommunismus“. Väidan, et Hölderlini saab tinglikult pidada fragmendi autoriks, ja lähtun sellest oma analüüsis. Uurimuse põhiline argument on, et Hölderlin väljendab „Vaimude kommunismuses“ enda poliitilisi, filosoofilisi ja religioosseid probleeme, mida ta arendab edasi teistes teostes. Fragmendis on tähtsad teemad haridus, vormi ja mateeria eristus ning vaim (Geist). Fragmendi loomise inspiratsiooniks olid teiste hulgas Immanuel Kant, Friedrich Schiller ja Platon. Hölderlin arendab „Vaimude kommunismuse“ teemasid edasi fragmentides „Saksa idealismi vanim süsteemiprogramm“ ja „Otsustus ja olemine“ ning kiriromaanis „Hyperion“.
Kirjeldus
The aim of my thesis was to investigate which philosophical themes appear in the fragment “Communism of Spirits”, which authors were the inspiration for these themes and how Hölderlin develops these themes further in his later work. In the main part of my thesis I gave an overview of the authors and questions relevant to the formation of German idealism, then turned to Hölderlin’s philosophy of absolute idealism, his theoretical fragments and concentrated on the fragment „Communism of Spirits“. I argued that “Communism of Spirits” should be conditionally considered as authored by Hölderlin.
In the third part of the study, I highlighted and analyzed the philosophical themes present in the fragment “Communism of Spirits”, which I found to be educational institutions, the distinction between form and matter, and spirit. I found Schiller’s work “Letters on the Aesthetic Education of Man“ to be an inspiration for Hölderlin in writing the fragment. I then compared Kant’s and Schiller’s conceptions of beauty and related them to Hölderlin’s critique
of the playfulness of beauty and his call to transcend Kant’s conception of beauty. From this, I concluded that the connection of Kant’s and Schiller’s aesthetics with Plato’s aesthetics was the inspiration for the creation of the fragment. In the last subsection, I demonstrated how “The Oldest Systematic Program of German Idealism” and “Hyperion” further develop the themes reflected in “Communism of Spirits” to show how Hölderlin’s philosophy is characterized by the connection of the social and the metaphysical.
Märksõnad
filosoofia, philosophy, sotsiaalmetafüüsiline, saksa idealism, Friedrich Hölderlin, „Vaimude kommunismus“